June 1, 2012
yodamanu:

St-Pierre, #Leica M9, #Summilux M 35mm f1.4 asph., #Black and White, #Togs

yodamanu:

St-Pierre, #Leica M9, #Summilux M 35mm f1.4 asph., #Black and White, #Togs

May 31, 2012
hannahleah:

Daido Moriyama

hannahleah:

Daido Moriyama

May 31, 2012

(Source: mercedesesquivel)

May 18, 2012
The Train Man
by Suguru Nishioka

The Train Man

by Suguru Nishioka

May 18, 2012
道草#5
by yu+ichiro

道草#5

by yu+ichiro

May 18, 2012
感傷
by yu+ichiro

感傷

by yu+ichiro

May 18, 2012
by moranaya

by moranaya

May 18, 2012
by moranaya

by moranaya

May 10, 2012
theantidote:

In 1964, LIFE photographer Michael Rougier (left, on assignment in Tokyo) and correspondent Robert Morse spent time documenting one Japanese generation’s age of revolt, and came away with an astonishingly intimate, frequently unsettling portrait of teenagers hurtling willfully toward oblivion.
In Rougier’s photographs — pictures that seem to breathe, at once, a reckless energy and an acute despair — we don’t merely glimpse kids pushing the boundaries of rebellion. Instead, we’re offered the rare and disquieting gift of complicity: this generation of lost boys and girls, Rougier’s pictures suggest, is trying to tell us something — something reproachful and perplexing — about the world we’ve made. Or rather, the world that we’ve broken.
Caption from original story in the Sept. 11, 1964, issue of LIFE: ”Kako, languid from sleeping pills she takes, is lost in a world of her own in a jazz shop in Tokyo.”
Read more here
(via life:)

theantidote:

In 1964, LIFE photographer Michael Rougier (left, on assignment in Tokyo) and correspondent Robert Morse spent time documenting one Japanese generation’s age of revolt, and came away with an astonishingly intimate, frequently unsettling portrait of teenagers hurtling willfully toward oblivion.

In Rougier’s photographs — pictures that seem to breathe, at once, a reckless energy and an acute despair — we don’t merely glimpse kids pushing the boundaries of rebellion. Instead, we’re offered the rare and disquieting gift of complicity: this generation of lost boys and girls, Rougier’s pictures suggest, is trying to tell us something — something reproachful and perplexing — about the world we’ve made. Or rather, the world that we’ve broken.

Caption from original story in the Sept. 11, 1964, issue of LIFE: ”Kako, languid from sleeping pills she takes, is lost in a world of her own in a jazz shop in Tokyo.”

Read more here

(via life:)

(via rosymoon)

April 23, 2012
‘Cause I am afraid of the light by solarixxAlso

‘Cause I am afraid of the light by solarixx

Also

April 21, 2012
-
by Rebecca Cairns

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by Rebecca Cairns

April 12, 2012
024-20070709-008
by Chaos.Cao

024-20070709-008

by Chaos.Cao